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Fine Arts

Artist statements - short statements (~under 1000 words) that accompany a body of work or a curatorial project.

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Commercial

Could be strictly writing code, working on software, creating animations or illustrations, in which case, prose-writing is not part of the field of practice, although if one rises to a managerial position or starts their own company, than skills in grant writing, proposal writing and other business and management skills are essential.

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Academic

Different forms of writing possibly alongside a visual practice:

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Technical or pedagogical guides:

xtine burrough & Michael Mandiberg: Digital Foundations

Professor at UNCA Curt Cloninger: Fresh Styles for Web Designers

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Edited or Authored Volumes that bridge practical and theoretical texts:

xtine burrough: Net Works: Case Studies in Web Art & Design

Beryl Graham & Sarah Cook: Rethinking Curating, Art After New Media

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Theoretical Texts:

Online:

Curt Cloninger: GltchLnguistx: The Machine in the Ghost/Static Trapped in Mouths, Lab404.com (A blog post as an academic paper)

Traditional Published Volumes:

Mark B. N. Hansen: Bodies in Code: Interfaces with Digital Media

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My Own Practice

Artworks, artist statements, applications for exhibitions or grants:

work in progress: Blue Boar VR

work in progress: Blue Boar VR

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Papers:

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Online Discussions:

CRUMB Discussion, March 2014

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Magazine Articles

Neural Magazine, Review of xcoax 2017, released February 2018

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Art Hack Practice

Book project in development with collaborator Suzy O'Hara

Victoria Bradbury 2018.
Thanks to UNCA New Media students for their code:
Cindy Wang
Vanessa Hamrick
Kendra Novelli